1 00:00:03,267 --> 00:00:05,367 ( theme music playing ) 2 00:00:40,467 --> 00:00:44,033 IF THE THORNCLIFFS CAN HAVE A LITTLE PLACE IN THE COUNTRY, 3 00:00:44,033 --> 00:00:47,834 WHY CAN'T WE? HMM? 4 00:00:47,834 --> 00:00:50,834 ( mumbles ) 5 00:00:50,834 --> 00:00:53,767 I AM A COUNTRY LOVER. YOU'RE A COUNTRY LOVER. 6 00:00:53,767 --> 00:00:56,901 NOT AT THIS TIME IN THE MORNING. 7 00:00:56,901 --> 00:00:59,801 I'VE ALWAYS BEEN A COUNTRY LOVER. 8 00:00:59,801 --> 00:01:04,267 SINCE WHEN? GRASS DOESN'T BEHAVE LIKE FITTED CARPET. 9 00:01:04,267 --> 00:01:07,200 YOU KNOW I LOVE THE COUNTRY. 10 00:01:07,200 --> 00:01:09,100 WE GO ON PICNICS. 11 00:01:09,100 --> 00:01:12,234 ROYAL DOULTON 12 00:01:12,234 --> 00:01:14,634 AND THE SILVER TEAPOT. 13 00:01:14,634 --> 00:01:18,434 WE TAKE TABLES, CHAIRS, RUGS, 14 00:01:18,434 --> 00:01:20,434 I DON'T LIKE THE CREEPY-CRAWLIES, THOUGH. 15 00:01:20,434 --> 00:01:24,767 BUT WE'LL FIND SOMEWHERE CREEPY-CRAWLIE FREE. 16 00:01:24,767 --> 00:01:27,400 OH RICHARD, HOW EXCITING! 17 00:01:27,400 --> 00:01:30,634 OUR OWN LITTLE PLACE IN THE COUNTRY! 18 00:01:30,634 --> 00:01:33,400 WELL, IF YOU WANT A FINANCIAL OPINION, 19 00:01:33,400 --> 00:01:36,300 IT'LL HAVE TO BE VERY LITTLE. 20 00:01:38,267 --> 00:01:39,567 ( sighs ) AH-HH! 21 00:01:41,100 --> 00:01:43,000 ( groans ) OH-HH! 22 00:01:43,000 --> 00:01:45,901 "LITTLE PLACE," 23 00:01:45,901 --> 00:01:49,534 I MEAN BIG ENOUGH FOR ENTERTAINING A FEW SELECT FRIENDS. 24 00:01:49,534 --> 00:01:52,133 I SHALL BRING CIVILIZATION 25 00:01:52,133 --> 00:01:54,534 TO A LITTLE RURAL CORNER. 26 00:01:54,534 --> 00:01:57,501 OH, RICHARD, I CAN SEE IT ALL NOW. 27 00:01:57,501 --> 00:01:59,901 MY PRUNE SURPRISE ONE-BITE CANAPE�S 28 00:01:59,901 --> 00:02:02,400 FOR COWHERDS AND SHEPHERDS. 29 00:02:05,234 --> 00:02:07,767 THEY'RE ALWAYS TALL AND HANDSOME-- 30 00:02:07,767 --> 00:02:12,167 ROMANTIC HEROES-- NEVER SHORT AND FAT. 31 00:02:12,167 --> 00:02:14,467 I'VE NEVER YET COME ACROSS A HEROINE 32 00:02:14,467 --> 00:02:18,501 WHO'S FALLEN FOR ANYBODY SHORT AND FAT. 33 00:02:18,501 --> 00:02:22,100 IT'S A BIT UNFAIR, REALLY. PLUS IT TAKES NO ACCOUNT 34 00:02:22,100 --> 00:02:27,033 OF THE WEIRD SHAPES WE FEMALES ACTUALLY FALL FOR. 35 00:02:28,200 --> 00:02:30,601 ( groans ) 36 00:02:35,701 --> 00:02:38,834 I COULD DO WITH A BACON BUTTIE. 37 00:02:40,167 --> 00:02:42,501 MY MOTHER COULDN'T BELIEVE IT 38 00:02:42,501 --> 00:02:45,667 WHEN SHE SAW YOU FOR THE FIRST TIME. 39 00:02:45,667 --> 00:02:48,334 YOU WERE WAITING FOR ME AT THE GATE, 40 00:02:48,334 --> 00:02:52,767 AND SHE THOUGHT SOMEBODY HAD ABANDONED AN OLD VAN. ( giggles ) 41 00:02:55,667 --> 00:02:59,868 I AM GIVING UP THE HURLY-BURLY OF THE ROMANTIC JUNGLE. 42 00:03:01,400 --> 00:03:05,434 I AM RETIRING FROM AN ACTIVE LOVE LIFE. 43 00:03:05,434 --> 00:03:07,701 OVERACTIVE! 44 00:03:07,701 --> 00:03:09,901 BOG-OFF, ONSLOW! 45 00:03:09,901 --> 00:03:14,234 THAT'S NO WAY TO SPEAK TO AN OLD VAN. 46 00:03:14,234 --> 00:03:17,167 IT DIDN'T TAKE SO MUCH "STARTING" IN THOSE DAYS. 47 00:03:18,234 --> 00:03:20,534 OH, WILL YOU TWO SHUT UP AND LISTEN? 48 00:03:20,534 --> 00:03:23,267 I'M GOING TO WRITE MY MEMOIRS. 49 00:03:25,334 --> 00:03:29,300 WELL, I COULD! EVERYBODY IS DOING IT THESE DAYS. 50 00:03:29,300 --> 00:03:32,234 AND I'VE KEPT DIARIES ALL THESE YEARS, 51 00:03:32,234 --> 00:03:34,000 I COULD WRITE MYMEMOIRS. 52 00:03:34,000 --> 00:03:38,701 THAT'S GONNA BE GOOD NEWS FOR A FEW HUSBANDS AROUND HERE. 53 00:03:38,701 --> 00:03:41,901 THERE'S NO POINT IN WRITING IF YOU AREN'T GOING TO BE TRUTHFUL. 54 00:03:41,901 --> 00:03:45,300 THERE'S GONNA BE ONE HELL OF A LOT OF MEN MISSING THEIR LAST TRAINS. 55 00:03:46,634 --> 00:03:49,167 I HOPE THERE'LL BE ROOM IN YOUR MEMOIRS, OUR ROSE, 56 00:03:49,167 --> 00:03:52,067 FOR BOYFRIENDS WHO WERE SHORT AND FAT. 57 00:03:52,067 --> 00:03:56,334 I HAVE NEVER BEEN SHORT OF SHORT AND FAT. 58 00:03:56,334 --> 00:03:59,968 WHEN YOU GET TO MY AGE, THERE'S A BIG UPSURGE IN SHORT AND FAT. 59 00:03:59,968 --> 00:04:02,734 * HOW MANY GENTLE FLOWERS GROW * 60 00:04:02,734 --> 00:04:06,667 * IN AN ENGLISH COUNTRY GARDEN? * 61 00:04:06,667 --> 00:04:08,634 * LA-LA-LA LA-LA-LA * 62 00:04:08,634 --> 00:04:10,367 * LA-LA-LA LA-LA... * 63 00:04:10,367 --> 00:04:11,834 WOULD YOU LIKE THATCH? 64 00:04:11,834 --> 00:04:14,534 WELL, I USUALLY HAVE CORNFLAKES. 65 00:04:15,534 --> 00:04:17,868 RICHARD! PAY ATTENTION, DEAR. 66 00:04:17,868 --> 00:04:19,534 I'M SPEAKING OF OUR COTTAGE. 67 00:04:19,534 --> 00:04:22,167 SHOULD IT BE THATCH, DO YOU THINK? 68 00:04:22,167 --> 00:04:25,501 YOU MEAN AS WELL AS HEAVILY MORTGAGED? 69 00:04:27,200 --> 00:04:29,334 YOU'RE SERIOUS, THEN? 70 00:04:29,334 --> 00:04:32,934 I LIKE THE LOOK OF THATCH, BUT IS IT PRACTICAL? 71 00:04:32,934 --> 00:04:35,067 I MEAN, WHEN WE'RE ENTERTAINING, 72 00:04:35,067 --> 00:04:37,901 AND I'VE LAID ONE OF MY ELEGANT EXECUTIVE TABLES, 73 00:04:37,901 --> 00:04:40,067 THE LAST THING I WANT IS BITS OF STRAW 74 00:04:40,067 --> 00:04:42,934 FALLING INTO PEOPLE'S VICHYSSOISE. 75 00:04:42,934 --> 00:04:47,767 EXECUTIVE ENTERTAINING! THAT'S MORE LIKE YOU, HYACINTH. 76 00:04:47,767 --> 00:04:50,000 WE'RE NOT REALLY COUNTRY MATERIAL. 77 00:04:50,000 --> 00:04:52,033 OH, NONSENSE, DEAR. 78 00:04:52,033 --> 00:04:54,234 I SHALL DEVELOP A COUNTRY VERSION 79 00:04:54,234 --> 00:04:57,000 OF MY CANDLELIGHT SUPPERS. 80 00:04:57,000 --> 00:05:01,100 A SORT OF "PLOWMAN'S SOIRE�E." 81 00:05:04,734 --> 00:05:08,133 ( warbling ) * TO BE A FARMER'S BULL * 82 00:05:08,133 --> 00:05:12,000 * TO BE A FARMER'S BU-- * RICHARD! 83 00:05:12,000 --> 00:05:13,901 ( mutters ) 84 00:05:16,434 --> 00:05:18,300 ( door bangs ) 85 00:05:22,067 --> 00:05:24,534 MORNING,EMMET! 86 00:05:25,934 --> 00:05:28,267 BEAU-TIFUL DAY! 87 00:05:28,267 --> 00:05:32,100 ( yodeling ) 88 00:05:34,934 --> 00:05:37,367 THAT VOICE RIPS STRAIGHT THROUGH ME. 89 00:05:37,367 --> 00:05:40,734 SHE COULD REMOVE PEOPLE'S SOCKS WITH A VOICE LIKE THAT. 90 00:05:43,834 --> 00:05:46,267 IS THIS HAT SUITABLE, DEAR? 91 00:05:46,267 --> 00:05:48,300 ER, FOR WHAT? 92 00:05:48,300 --> 00:05:50,701 FOR LOOKING AT COUNTRY COTTAGES. 93 00:05:52,067 --> 00:05:55,133 I MEAN, DOES IT LOOK "RURAL" IN A SOPHISTICATED WAY? 94 00:05:55,133 --> 00:05:58,667 - ER... - OR WOULD YOU WEAR THIS ONE? 95 00:05:58,667 --> 00:06:00,167 NO, IT WOULDN'T SUIT ME. 96 00:06:00,167 --> 00:06:04,400 DON'T BE SILLY, RICHARD. NOW CONCENTRATE. 97 00:06:04,400 --> 00:06:06,801 WHICH HAT? THIS? 98 00:06:07,801 --> 00:06:11,534 OR... THIS? 99 00:06:11,534 --> 00:06:15,234 HYACINTH, I HATE DECISIONS OF THIS MAGNITUDE 100 00:06:15,234 --> 00:06:17,734 FIRST THING IN THE MORNING. IT'S UNREASONABLE. 101 00:06:17,734 --> 00:06:19,601 YOU DON'T LIKE MY HATS. 102 00:06:19,601 --> 00:06:22,234 I NEVER SAID I DIDN'T LIKE YOUR HATS. 103 00:06:22,234 --> 00:06:24,400 RICHARD! 104 00:06:24,400 --> 00:06:27,334 IS THIS THE FIRST CHINK IN OUR MARRIAGE? 105 00:06:29,300 --> 00:06:32,167 I'VE HEARD ABOUT MEN IN MID-LIFE CRISIS. 106 00:06:33,334 --> 00:06:35,367 I'M WARNING YOU, RICHARD-- 107 00:06:35,367 --> 00:06:38,734 I WILL NOT HAVE YOU BEING UNFAITHFUL TO MY HATS. 108 00:06:41,767 --> 00:06:45,467 NOW-- WHEN SHE RINGS-- 109 00:06:45,467 --> 00:06:48,033 IT'S JUST A QUESTION OF BEING QUITE FIRM 110 00:06:48,033 --> 00:06:50,434 AND GIVING HER MY EXCUSE. 111 00:06:51,601 --> 00:06:53,934 I'VE FORGOTTEN MY EXCUSE. 112 00:06:55,701 --> 00:06:57,901 "I'M SORRY, HYACINTH, 113 00:06:57,901 --> 00:07:00,267 BUT I CAN'T ENJOY COFFEE WITH YOU THIS MORNING, 114 00:07:00,267 --> 00:07:02,734 I HAVE AN APPOINTMENT WITH MY SOLICITOR." 115 00:07:02,734 --> 00:07:04,534 "CAN'T ENJOY COFFEE WITH YOU THIS MORNING, 116 00:07:04,534 --> 00:07:06,968 I HAVE AN APPOINTMENT WITH MY SOLICITOR." RIGHT. 117 00:07:09,267 --> 00:07:11,067 ( shakily ) "I'M SO SORRY, HYACINTH, 118 00:07:11,067 --> 00:07:13,734 BUT I CAN'T ENJOY COFFEE WITH YOU THIS MORNING. 119 00:07:13,734 --> 00:07:16,968 I HAVE AN APPOINTMENT WITH MY SOLICITOR." 120 00:07:16,968 --> 00:07:20,834 ( trilling ring ) 121 00:07:24,067 --> 00:07:26,067 HELLO? 122 00:07:26,067 --> 00:07:28,467 NO, NO, NO. I'M AFRAID I CAN'T. 123 00:07:28,467 --> 00:07:31,567 NO. NOT THIS MORNING. I'M SOLICITING. 124 00:07:35,734 --> 00:07:37,067 OH, NO! 125 00:07:37,067 --> 00:07:39,968 NO, NO. OF COURSE I'M NOT SOLICITING-- 126 00:07:39,968 --> 00:07:41,801 SORRY, YOU CAN'T WHAT? 127 00:07:41,801 --> 00:07:44,467 FOR COFFEE THIS MORNING, 128 00:07:44,467 --> 00:07:47,400 BECAUSE YOU'RE GOING TO LOOK AT PROPERTY? 129 00:07:48,400 --> 00:07:50,734 YES, I UNDERSTAND. 130 00:07:50,734 --> 00:07:52,801 ( muffled giggle ) 131 00:07:54,100 --> 00:07:56,100 SOME OTHER TIME. 132 00:07:56,100 --> 00:07:58,234 HMM, THAT'S FINE. 133 00:07:59,534 --> 00:08:02,267 ( relieved laughter ) 134 00:08:04,267 --> 00:08:07,267 I WANT SOMETHING WITH ROSES AROUND THE DOOR. 135 00:08:07,267 --> 00:08:09,267 HMM... 136 00:08:09,267 --> 00:08:12,534 IT SHOULD CREATE AN IMPRESSION OF CHARM, TRANQUILITY... 137 00:08:12,534 --> 00:08:16,367 AND HAVE AN EXCLUSIVE POSTCODE. 138 00:08:16,367 --> 00:08:20,868 HMM? OH, AT LEAST THREE BEDROOMS. 139 00:08:20,868 --> 00:08:23,000 ABSOLUTE MINIMUM. 140 00:08:23,000 --> 00:08:27,334 YES, AND IT SHOULD HAVE EVERY MOD-CON. 141 00:08:27,334 --> 00:08:30,667 YES, I SEE NO VIRTUE IN RUSTIC PLUMBING. 142 00:08:30,667 --> 00:08:33,000 HOW MUCH IS THAT ONE? 143 00:08:33,000 --> 00:08:35,200 REALLY? 144 00:08:35,200 --> 00:08:38,501 THAT SEEMS QUITE REASONABLE. 145 00:08:38,501 --> 00:08:40,501 OH, AND A SUNKEN GARDEN, 146 00:08:40,501 --> 00:08:42,767 AND A SOUTH FACING CONSERVATORY. 147 00:08:42,767 --> 00:08:45,300 VERY NICE. YES. 148 00:08:45,300 --> 00:08:47,567 NOW, THERE SHOULD BE-- 149 00:08:47,567 --> 00:08:51,801 THERE SHOULD BE AN L-SHAPED ROOM FOR ENTERTAINING, 150 00:08:51,801 --> 00:08:54,067 OBJETS D'ART. 151 00:08:54,067 --> 00:08:57,834 ISN'T THERE SOMETHING CHEAPER WE COULD CONVERT? 152 00:08:57,834 --> 00:09:02,634 SOMETHING A BIT RUNDOWN THAT NEEDS DOING UP-- LIKE ME? 153 00:09:02,634 --> 00:09:04,767 EXCUSE ME. 154 00:09:04,767 --> 00:09:07,033 RICHARD, ARE YOU LOSING YOUR NERVE? 155 00:09:07,033 --> 00:09:09,367 YES. IT'S GONE COMPLETELY. 156 00:09:10,801 --> 00:09:13,000 NO, NO. I'M STILL HERE. 157 00:09:18,334 --> 00:09:20,300 YOU KEEP HER BEAUTIFULLY, RICHARD. 158 00:09:20,300 --> 00:09:21,801 SHE DOESN'T THINK SO. 159 00:09:21,801 --> 00:09:23,801 SHE THINKS I'M IN MID-LIFE CRISIS. 160 00:09:23,801 --> 00:09:26,834 OH, THE CAR. 161 00:09:29,300 --> 00:09:32,234 YES, HYACINTH LIKES A CLEAN CAR. 162 00:09:32,234 --> 00:09:34,734 WHY DOES SHE THINK YOU'RE IN A MID-LIFE CRISIS? 163 00:09:34,734 --> 00:09:37,000 I FAILED THE HAT TEST THIS MORNING. 164 00:09:37,000 --> 00:09:38,634 SHE ASKED ME WHICH ONE I PREFERRED. 165 00:09:39,834 --> 00:09:42,434 BEAUTIFUL DAY, ELIZABETH. 166 00:09:42,434 --> 00:09:44,234 YES, ISN'T IT? 167 00:09:44,234 --> 00:09:47,000 COMPLETELY CONDUCIVE TO CONTEMPLATING 168 00:09:47,000 --> 00:09:49,634 COZY, CHARISMATIC, COUNTRY COTTAGES. 169 00:09:51,767 --> 00:09:53,434 COME ALONG, RICHARD. 170 00:09:53,434 --> 00:09:56,534 DON'T JUST STAND THERE HAVING YOUR MID-LIFE CRISIS. 171 00:10:01,400 --> 00:10:03,400 WATCH OUT FOR THE LORRY, DEAR. 172 00:10:03,400 --> 00:10:05,400 YES, I CAN SEE THE LORRY. 173 00:10:05,400 --> 00:10:07,701 AND THERE'S A PEDESTRIAN ON THE PAVEMENT. 174 00:10:07,701 --> 00:10:10,033 YES, THAT'S A GOOD PLACE FOR A PEDESTRIAN. 175 00:10:10,033 --> 00:10:12,033 HMM? 176 00:10:13,400 --> 00:10:15,300 AREN'T YOU GOING TOO QUICKLY? 177 00:10:15,300 --> 00:10:17,334 NO, I'M NOT GOING TOO QUICKLY. 178 00:10:17,334 --> 00:10:19,801 * ZIPPITY DO-DAH * 179 00:10:19,801 --> 00:10:21,801 * ZIPPITY-AY * 180 00:10:21,801 --> 00:10:25,567 * MY, OH MY-- WHAT A WONDERFUL DAY. * 181 00:10:25,567 --> 00:10:29,067 YOU REALLY ARE IN A MID-LIFE CRISIS. 182 00:10:29,067 --> 00:10:32,534 I KNEW IT WOULD HAPPEN ONE DAY. I'D BEEN EXPECTING IT. 183 00:10:32,534 --> 00:10:34,200 MIND THE BICYCLE. 184 00:10:34,200 --> 00:10:38,501 MINDING THE BICYCLE. PASSING THE BICYCLE CAREFULLY... 185 00:10:38,501 --> 00:10:41,033 IN MID-LIFE CRISIS. 186 00:10:42,067 --> 00:10:44,400 WE SHALL FIGHT IT TOGETHER. 187 00:10:44,400 --> 00:10:46,300 MID-LIFE CRISIS. 188 00:10:46,300 --> 00:10:48,968 I SHALL BE A TOWER OF STRENGTH FOR YOU. 189 00:10:50,200 --> 00:10:52,834 WATCH OUT FOR OTHER WOMEN. 190 00:10:52,834 --> 00:10:54,634 WHERE? WHERE? 191 00:10:54,634 --> 00:10:56,968 NOT HERE, DEAR. IN YOUR MID-LIFE CRISIS. 192 00:10:56,968 --> 00:10:59,501 IT'S A TIME WHEN MEN THINK OF OTHER WOMEN. 193 00:10:59,501 --> 00:11:01,601 NOT ME, HYACINTH. I ASSURE YOU. 194 00:11:01,601 --> 00:11:03,234 FOR ME... 195 00:11:03,234 --> 00:11:07,367 ONE WOMAN IS ENOUGH. 196 00:11:08,801 --> 00:11:10,934 THANK YOU, DEAR. 197 00:11:10,934 --> 00:11:14,300 BEAUTIFUL SENTIMENT. 198 00:11:14,300 --> 00:11:17,400 YOU SEE? YOU'RE GETTING BETTER ALREADY. 199 00:11:17,400 --> 00:11:21,067 THINK FOR YOURSELF, RICHARD. 200 00:11:21,067 --> 00:11:23,634 TURN LEFT, HERE. 201 00:11:25,734 --> 00:11:27,934 ( melodramatic music playing on TV ) 202 00:11:30,334 --> 00:11:33,400 HOW DO YOU SPELL "MEMOIRS"? 203 00:11:33,400 --> 00:11:34,634 woman on TV screams ) 204 00:11:34,634 --> 00:11:38,167 "M-E-M-O-I-R-S." 205 00:11:39,667 --> 00:11:43,501 AND I THOUGHT YOU WAS JUST A BIG IDLE SLOB. 206 00:11:43,501 --> 00:11:47,167 HE'S A BIG IDLE SLOB THAT CAN SPELL. 207 00:11:49,033 --> 00:11:51,934 YOU GET A WARM, COZY FEELING 208 00:11:51,934 --> 00:11:54,767 BEING MARRIED TO AN INTELLECTUAL. 209 00:11:58,167 --> 00:12:00,167 IF YOU WEREN'T BONE-IDLE, 210 00:12:00,167 --> 00:12:03,534 I BET YOU COULD HAVE REALLY MADE SOMETHING OF YOURSELF. 211 00:12:03,534 --> 00:12:06,834 YEAH, IF I HADN'T DECIDED TO BE BONE-IDLE. 212 00:12:08,200 --> 00:12:10,934 ( screaming continues on TV ) 213 00:12:11,934 --> 00:12:14,367 IS SHE REALLY WRITING HER MEMOIRS? 214 00:12:14,367 --> 00:12:15,734 LOOKS LIKE IT. 215 00:12:16,801 --> 00:12:19,901 HOW DO YOU SPELL "VIRGIN"? 216 00:12:19,901 --> 00:12:21,667 IS IT "E-R" OR "I-R"? 217 00:12:21,667 --> 00:12:24,200 IS SHE GOING BACK THAT FAR? 218 00:12:28,200 --> 00:12:30,801 OH, THAT'S BEAUTIFUL! 219 00:12:30,801 --> 00:12:34,634 I LIKE THAT ONE. ONE COULD ENTERTAIN THERE. 220 00:12:36,467 --> 00:12:39,534 HYACINTH, WE'RE LOOKING FOR A COUNTRY COTTAGE, 221 00:12:39,534 --> 00:12:41,701 SOMETHING SIMPLE WE CAN DO UP. 222 00:12:41,701 --> 00:12:43,734 YES, OF COURSE, DEAR. 223 00:12:43,734 --> 00:12:46,200 DON'T GET CARRIED AWAY. 224 00:12:46,200 --> 00:12:48,834 I'LL GO IN AND SEE WHAT THEY HAVE. 225 00:12:48,834 --> 00:12:51,801 YOU LOOK THROUGH THIS, DEAR. 226 00:12:51,801 --> 00:12:55,200 REMEMBER, SOMETHING SIMPLE WE CAN DO UP. 227 00:12:55,200 --> 00:12:58,100 I'M WELL AWARE OF WHAT WE WANT, RICHARD. 228 00:13:17,701 --> 00:13:19,701 OOH! 229 00:13:21,467 --> 00:13:23,701 WONDERFUL! AND-- OH! 230 00:13:32,968 --> 00:13:36,234 WHY DO YOU ONLY GET THE DETAILS ON BIG HOUSES? 231 00:13:36,234 --> 00:13:38,801 LOOK, I AM NOT GOING INTO AN ESTATE AGENT'S 232 00:13:38,801 --> 00:13:41,534 TO MAKE INQUIRIES ABOUT SOME POTTY LITTLE PROPERTY. 233 00:13:41,534 --> 00:13:43,267 I HAVE MY PRIDE, RICHARD. 234 00:13:43,267 --> 00:13:45,167 THEN I'LL GO IN NEXT TIME. 235 00:13:45,167 --> 00:13:47,567 BUT MAKE SURE THERE'S ROOM FOR ENTERTAINING. 236 00:13:47,567 --> 00:13:49,434 WHATEVER SORT OF PROPERTY IT IS, 237 00:13:49,434 --> 00:13:52,100 I SHALL WANT IT TO BE A SHINING LIGHT OF CIVILIZATION 238 00:13:52,100 --> 00:13:53,634 IN THE RURAL WILDERNESS. 239 00:13:53,634 --> 00:13:56,467 MIND THAT HERD OF COWS, DEAR. 240 00:13:56,467 --> 00:14:00,267 - IT'S IN A FIELD. - THEY MAY BE DUE FOR MILKING. 241 00:14:00,267 --> 00:14:04,834 ( mimics cow ) MMM-MINDING THE COW-OOS. 242 00:14:06,000 --> 00:14:07,734 Elizabeth humming ) 243 00:14:07,734 --> 00:14:09,767 IT'S ONLY ME! 244 00:14:11,133 --> 00:14:13,968 * DEE-DEE DEE-DEE-- * HELLO, BROTHER MINE! 245 00:14:13,968 --> 00:14:15,234 ( singing continues ) 246 00:14:15,234 --> 00:14:17,767 YOU'RE PARTICULARLY CHEERFUL. 247 00:14:17,767 --> 00:14:21,801 I'VE HAD A COFFEE-FREE MORNING-- NO HYACINTH. 248 00:14:21,801 --> 00:14:24,033 LUCKY YOU. HOW DID YOU WRANGLE THAT? 249 00:14:24,033 --> 00:14:27,667 I DIDN'T HAVE TO. SHE WAS GOING OUT-- LOOKING AT PROPERTY. 250 00:14:27,667 --> 00:14:29,734 ( bangs keys ) 251 00:14:32,100 --> 00:14:35,300 "LOOKING AT PROPERTY"? IS THAT WHAT SHE SAID? 252 00:14:35,300 --> 00:14:38,634 - I THINK THAT'S WHAT SHE SAID. - TRY TO REMEMBER! 253 00:14:38,634 --> 00:14:42,167 - YOU'RE SHAKING ME. - I'M SORRY, LIZ. 254 00:14:42,167 --> 00:14:45,734 BUT ARE YOU POSITIVE SHE SAID, "LOOKING AT PROPERTY"? 255 00:14:45,734 --> 00:14:47,501 HMM! 256 00:14:49,133 --> 00:14:53,701 THAT-- THAT MEANS SHE'S MOVING! 257 00:14:53,701 --> 00:14:56,968 HYACINTH IS MOVING! 258 00:14:56,968 --> 00:15:00,968 WELL, I ASSUMED IT WAS FOR SOMEBODY ELSE. SHE CAN'T BE MOVING. 259 00:15:00,968 --> 00:15:03,667 DON'T SAY THAT, LIZ. NOT EVEN IN JEST. 260 00:15:03,667 --> 00:15:09,300 YE GODS! HYACINTH MOVING. 261 00:15:09,300 --> 00:15:12,701 I THINK THAT CALLS FOR A LITTLE DRINKIE. 262 00:15:12,701 --> 00:15:15,467 * OH, WHAT A BEAUTIFUL MORNING * 263 00:15:15,467 --> 00:15:18,167 * OH, WHAT A BEAUTIFUL DAY... * 264 00:15:18,167 --> 00:15:20,667 IN ABOUT AN HOUR, IF THAT'S CONVENIENT. 265 00:15:20,667 --> 00:15:22,868 GOOD! JUST A MOMENT. 266 00:15:22,868 --> 00:15:25,133 AND THE NAME IS...? 267 00:15:25,133 --> 00:15:28,501 - B-U-- - "BOUQUET!" 268 00:15:29,634 --> 00:15:31,634 SPELLED "B-U-C-K-E-T." 269 00:15:31,634 --> 00:15:34,100 IT'S A MR. AND MRS. BUCKET. 270 00:15:34,100 --> 00:15:36,901 "BOU-QUET." 271 00:15:38,901 --> 00:15:40,834 THAT'S CLOSE ENOUGH. 272 00:15:40,834 --> 00:15:42,734 THEY'LL BE WITH YOU IN ABOUT AN HOUR. 273 00:15:42,734 --> 00:15:45,234 DON'T WORRY ABOUT HOW THE NAME IS SPELLED. 274 00:15:45,234 --> 00:15:47,534 SHE'S WEARING A GREEN HAT. 275 00:15:47,534 --> 00:15:49,968 IS THERE ANYTHING ELSE WE CAN SHOW YOU? 276 00:15:49,968 --> 00:15:53,067 I'D LIKE PARTICULARS REGARDING THIS, PLEASE. 277 00:15:57,634 --> 00:16:00,133 LET'S JUST LOOK AT COTTAGES. 278 00:16:00,133 --> 00:16:02,367 THAT'S WHERE WE STARTED-- COTTAGES. 279 00:16:02,367 --> 00:16:05,367 "OUR OWN LITTLE PLACE IN THE COUNTRY," YOU SAID. 280 00:16:05,367 --> 00:16:08,100 I KNOW, BUT I WILL NOT HAVE THE AGENTS BELIEVING 281 00:16:08,100 --> 00:16:10,367 THAT'S ALL WE CAN AFFORD. 282 00:16:10,367 --> 00:16:12,934 OH, THIS ONE LOOKS MORE MODEST. 283 00:16:12,934 --> 00:16:15,334 IT DOESN'T LOOK MORE MODEST TO ME. 284 00:16:15,334 --> 00:16:18,000 - NONSENSE. MIND THE TREE, DEAR. - THE TREE? 285 00:16:18,000 --> 00:16:20,434 I AM ON THE ROAD, THE TREE IS IN THE HEDGE. 286 00:16:20,434 --> 00:16:22,467 BUT IT COULD BLOW DOWN. 287 00:16:22,467 --> 00:16:24,834 THEY DO. THEY'RE ALWAYS BLOWING DOWN. 288 00:16:24,834 --> 00:16:27,634 MINDING THE TREE. 289 00:16:28,634 --> 00:16:30,834 ( birds chirping ) 290 00:16:31,868 --> 00:16:33,667 IT MAY SAY "TURN LEFT," 291 00:16:33,667 --> 00:16:36,667 BUT I CAN'T SEE THAT COTTAGE ANYWHERE. 292 00:16:38,701 --> 00:16:40,267 SHALL WE ASK THE VILLAGE IDIOT? 293 00:16:40,267 --> 00:16:42,267 THAT FELLOW? 294 00:16:42,267 --> 00:16:44,200 DO YOU REALLY THINK HE'S THE RIGHT PERSON TO ASK? 295 00:16:44,200 --> 00:16:45,801 THERE'S NO ONE ELSE. 296 00:16:49,100 --> 00:16:52,901 GOOD DAY TO YOU, MY GOOD MAN! 297 00:16:52,901 --> 00:16:54,167 COULD YOU DIRECT US? 298 00:16:54,167 --> 00:16:56,000 WE'RE LOOKING FOR "HONEYSUCKLE COTTAGE." 299 00:16:56,000 --> 00:16:58,400 HAR...! 300 00:17:02,667 --> 00:17:05,567 I DON'T APPEAR TO BE GETTING THROUGH TO HIM, RICHARD. 301 00:17:05,567 --> 00:17:08,901 HE'S CLEARLY DONATED HIS VOCAL ORGANS TO MEDICAL RESEARCH. 302 00:17:08,901 --> 00:17:10,934 ( loudly ) CAN YOU TELL US 303 00:17:10,934 --> 00:17:14,501 WHERE WE CAN FIND "HONEYSUCKLE COTTAGE"? 304 00:17:14,501 --> 00:17:15,968 OH, AYE-- 305 00:17:15,968 --> 00:17:18,434 ( garbled speech ) 306 00:17:18,434 --> 00:17:20,567 GO STRAIGHT DOWN THE ROAD HERE... 307 00:17:20,567 --> 00:17:23,534 ( garbled ) ...TAKE THE ROAD AND COME TO A FORK! 308 00:17:23,534 --> 00:17:25,801 BUT DON'T TAKE THE RIGHT-HAND FORK-- 309 00:17:25,801 --> 00:17:28,167 OH, YOU DON'T WANT THE RIGHT-HAND FORK. IT GOES PAST THE PIG FARM. 310 00:17:28,167 --> 00:17:29,701 ( speech garbled ) 311 00:17:29,701 --> 00:17:31,601 LEFT-HAND FORK... 312 00:17:31,601 --> 00:17:34,300 YOU GO PAST THE FARM ON THE RIGHT-HAND SIDE 313 00:17:34,300 --> 00:17:36,400 ...FURTHER THAN THAT. 314 00:17:36,400 --> 00:17:39,434 FIRST LEFT AND YOU'RE THERE. ( cackles ) 315 00:17:39,434 --> 00:17:41,267 I THINK I CAUGHT "FIRST LEFT." 316 00:17:42,501 --> 00:17:45,601 THEN FOR GOODNESS' SAKE, LET'S GO! 317 00:17:45,601 --> 00:17:47,200 THANK YOU! 318 00:17:51,868 --> 00:17:54,501 HE WAS LOOKING AT ME VERY ODDLY, RICHARD. 319 00:17:54,501 --> 00:17:57,400 DO YOU SUPPOSE THEY COULD STILL BE EATING RAW MEAT AROUND HERE? 320 00:17:57,400 --> 00:17:59,067 HYACINTH! 321 00:17:59,067 --> 00:18:02,534 BELIEVE ME, THOSE WERE NOT THE EYES OF A VEGETARIAN. 322 00:18:07,901 --> 00:18:10,067 WELL HE WAS RIGHT ABOUT FIRST LEFT. 323 00:18:10,067 --> 00:18:13,234 PROBABLY JUST A WILD GUESS. 324 00:18:13,234 --> 00:18:16,968 HE LOOKED A TRIFLE OFF THE LATCH TO ME. 325 00:18:16,968 --> 00:18:18,968 HE KNEW IT WAS FIRST LEFT, 326 00:18:18,968 --> 00:18:22,267 SO HE CAN'T BE COMPLETELY OFF THE LATCH. 327 00:18:22,267 --> 00:18:25,934 I'LL JUST PULL OFF THE ROAD. 328 00:18:25,934 --> 00:18:29,767 HE WAS JUST STARRING AT ME AND GRINNING. 329 00:18:29,767 --> 00:18:33,067 I DON'T SUPPOSE HE'S EVER SEEN A HAT LIKE MINE. 330 00:18:39,400 --> 00:18:43,167 I HOPE ALL COUNTRY PEOPLE AREN'T GOING TO BE LIKE THAT. 331 00:18:45,133 --> 00:18:48,501 IT WILL MAKE IT VERY HARD WORK AT MY "MERRIE ENGLAND" BARBEQUES. 332 00:18:49,934 --> 00:18:52,033 ( humming ) 333 00:18:57,734 --> 00:18:59,567 WE MUST GET A MAYPOLE, RICHARD. 334 00:18:59,567 --> 00:19:02,901 APPARENTLY THAT'S HOW COUNTRY FOLK AMUSE THEMSELVES. 335 00:19:02,901 --> 00:19:06,601 I DO LIKE THE NAME-- 336 00:19:06,601 --> 00:19:09,367 "HONEYSUCKLE COTTAGE." 337 00:19:09,367 --> 00:19:13,200 IT'LL LOOK RATHER WELL ON OUR EMBOSSED PERSONAL NOTEPAPER. 338 00:19:13,200 --> 00:19:16,701 YOU WANT MY OPINION? PRETTY BUT PRICEY. 339 00:19:16,701 --> 00:19:20,300 WE'LL SEND OUT INVITATIONS, RICHARD. 340 00:19:20,300 --> 00:19:24,133 "THE BOUQUETS WILL BE ENTERTAINING THIS WEEKEND 341 00:19:24,133 --> 00:19:27,667 AT 'HONEYSUCKLE COTTAGE.'" 342 00:19:28,834 --> 00:19:30,901 ( knocker taps ) 343 00:19:31,901 --> 00:19:35,400 OH YES, RICHARD, I LIKE IT. 344 00:19:37,701 --> 00:19:39,567 WHERE IS THE NEIGHBOR WITH THE KEY? 345 00:19:39,567 --> 00:19:41,734 APPARENTLY, HE JUST LIVES AROUND THE CORNER. 346 00:19:41,734 --> 00:19:44,634 WELL, COME ON, DEAR. COME ON. 347 00:19:59,501 --> 00:20:02,667 WHOOP! MIND YOUR TREAD, RICHARD. 348 00:20:02,667 --> 00:20:06,167 MINDING MY TREAD. 349 00:20:07,601 --> 00:20:09,300 ( bleating ) 350 00:20:12,834 --> 00:20:14,534 WHAT IS IT? 351 00:20:14,534 --> 00:20:16,868 IT'S A GOAT. 352 00:20:16,868 --> 00:20:20,801 YOU SEE HOW FAMILIAR YOU ARE WITH THE COUNTRY ALREADY? 353 00:20:20,801 --> 00:20:24,167 ARE THEY HOUSETRAINED? 354 00:20:24,167 --> 00:20:26,234 I SHOULDN'T THINK SO. 355 00:20:26,234 --> 00:20:29,067 OH-- JUST LIKE ONSLOW! 356 00:20:30,701 --> 00:20:32,834 ( goat brays ) 357 00:20:36,734 --> 00:20:38,901 ( gruff squealing ) 358 00:20:41,467 --> 00:20:45,634 RICHARD. RICHARD! RICHARD! 359 00:20:45,634 --> 00:20:47,934 ( frantic honking ) 360 00:21:00,234 --> 00:21:01,968 COME ALONG, RICHARD. THIS MUST BE IT. 361 00:21:01,968 --> 00:21:04,400 - OH-HH! - ( dog growls softly ) 362 00:21:06,501 --> 00:21:07,767 ( thumping ) 363 00:21:12,868 --> 00:21:16,167 THIS MAKES ONSLOW'S PLACE LOOK LIKE A PALACE. 364 00:21:28,434 --> 00:21:31,534 WHEN WE STOPPED IN THE CAR AND ASKED HIM DIRECTIONS, 365 00:21:31,534 --> 00:21:33,334 WHY DIDN'T HE TELL US HE HAD THE KEY? 366 00:21:33,334 --> 00:21:37,000 MAYBE HE DID. COULD YOU UNDERSTAND A WORD HE WAS SAYING? 367 00:21:37,000 --> 00:21:40,234 I STILL CAN'T UNDERSTAND A WORD HE'S SAYING. 368 00:21:40,234 --> 00:21:42,234 ( speaking gibberish ) 369 00:21:43,234 --> 00:21:45,300 ...TERRIBLE-- WHOA-HO... 370 00:21:45,300 --> 00:21:46,868 ( gibberish continues ) ...RATS. 371 00:21:48,467 --> 00:21:51,100 - DID HE SAY RATS? - I THOUGHT HE SAID "RATS." 372 00:21:51,100 --> 00:21:53,767 I THOUGHT I HEARD "WOODWORM." 373 00:21:53,767 --> 00:21:56,000 CAN ONE HEAR WOODWORM? 374 00:21:56,000 --> 00:22:00,534 SAY"WOODWORM." 375 00:22:00,534 --> 00:22:02,534 I THINK YOU'D BETTER GO IN FIRST, RICHARD. 376 00:22:02,534 --> 00:22:05,434 INTO THE JAWS OF RATS AND WOODWORM. CHARMING! 377 00:22:05,434 --> 00:22:08,801 LET'S HOPE IT'S THE RATS WHO'VE GOT THE WOODWORM. 378 00:22:08,801 --> 00:22:10,534 DON'T BE SILLY, DEAR. 379 00:22:10,534 --> 00:22:13,667 - WOODWORM? - ( speaking gibberish ) 380 00:22:25,834 --> 00:22:30,267 OH, YES! ONE COULD DO SOMETHING WITH THIS. 381 00:22:30,267 --> 00:22:32,734 A LITTLE COTTAGE FURNITURE. 382 00:22:32,734 --> 00:22:36,334 IDEAL FOR MY COUNTRY CREAM TEAS. 383 00:22:38,701 --> 00:22:41,868 WE SHALL NEED A GRANDFATHER CLOCK, RICHARD. 384 00:22:41,868 --> 00:22:43,467 FOR CREAM TEAS? 385 00:22:43,467 --> 00:22:47,334 FOR THE AMBIANCE, RICHARD. 386 00:22:47,334 --> 00:22:50,834 OLD-WORLD ATMOSPHERE, DEAR. 387 00:22:52,000 --> 00:22:54,501 YEAH, IT'S WOOD. 388 00:22:54,501 --> 00:22:57,601 WELL, NATURALLY. WHAT DID YOU EXPECT? 389 00:22:57,601 --> 00:23:00,901 BUT IT'S A PITY, IF THEY HAD BEEN PLASTIC, IT'D CONFUSED THE WOODWORM. 390 00:23:00,901 --> 00:23:03,033 HMM? 391 00:23:04,868 --> 00:23:06,801 HOW OLD IS THE PLACE? 392 00:23:06,801 --> 00:23:09,467 ( speaking gibberish ) 393 00:23:10,634 --> 00:23:12,667 ...1800, JANUARY. 394 00:23:15,634 --> 00:23:17,767 YOU TRY. 395 00:23:17,767 --> 00:23:21,067 LISTEN, JUST BECAUSE I RECOGNIZED A GOAT... 396 00:23:22,467 --> 00:23:23,901 SHE'S NOT HOME YET. 397 00:23:23,901 --> 00:23:26,701 THEY MAY HAVE FOUND SOMEWHERE. 398 00:23:26,701 --> 00:23:29,200 YOU'RE GETTING A THING ABOUT THIS. 399 00:23:29,200 --> 00:23:33,000 THEY PROBABLY WON'T FIND THE RIGHT PROPERTY AT THEIR FIRST ATTEMPT. 400 00:23:33,000 --> 00:23:35,567 PEOPLE SHOULD MAKE UP THEIR MINDS. 401 00:23:35,567 --> 00:23:40,400 I DON'T SEE WHAT IS SO DIFFICULT ABOUT CHOOSING A PROPERTY. 402 00:23:40,400 --> 00:23:43,200 SHE IS LOOKING FOR A PROPERTY, ISN'T SHE? 403 00:23:43,200 --> 00:23:45,334 OH, EMMET. RELAX! 404 00:23:45,334 --> 00:23:49,300 HYACINTH SAID THEY WERE LOOKING AT PROPERTY. THAT'S ALL I CAN TELL YOU. 405 00:23:49,300 --> 00:23:52,567 IF SHE COMES BACK HERE WITHOUT FINDING A PROPERTY... 406 00:23:52,567 --> 00:23:54,701 THEN... 407 00:23:54,701 --> 00:23:57,334 THEN WE'LL HAVE TO HELP HER LOOK FOR SOMETHING. 408 00:23:57,334 --> 00:24:00,601 HOW CAN WE HELP HER? 409 00:24:00,601 --> 00:24:03,534 WE'LL CIRCULATE ESTATE AGENTS WITHIN A 50-MILE RADIUS. 410 00:24:03,534 --> 00:24:08,534 NO! NO, LET'S MAKE THAT A 100-MILE RADIUS. 411 00:24:09,767 --> 00:24:12,601 WE MUSTN'T MISS ANY OPPORTUNITY TO HELP. 412 00:24:12,601 --> 00:24:16,200 I MEAN, WHAT ARE NEIGHBORS FOR? 413 00:24:16,200 --> 00:24:18,200 EMMET, WE CAN'T DO THAT. 414 00:24:18,200 --> 00:24:20,834 WE CAN'T INTERFERE WITH HYACINTH'S CHOICE. 415 00:24:20,834 --> 00:24:23,801 I COULD-- ESPECIALLY WHEN IT'S IN SUCH A GOOD CAUSE. 416 00:24:24,801 --> 00:24:27,968 - WHAT GOOD CAUSE? - MY SANITY! 417 00:24:29,767 --> 00:24:32,300 OH, PLENTY OF CUPBOARD SPACE. 418 00:24:32,300 --> 00:24:35,534 I CAN'T SAY I AM FINDING ALL THAT MUCH SPACE. 419 00:24:35,534 --> 00:24:38,234 CAN'T-- CAN'T SEE ANY WOODWORM. 420 00:24:38,234 --> 00:24:41,100 THERE ARE MORE PROBLEMS AROUND HERE THAN WOODWORM, DEAR. 421 00:24:41,100 --> 00:24:43,567 ( speaking gibberish ) ...COLD IN HERE... 422 00:24:46,234 --> 00:24:50,033 - WHAT'S HE SAYING? - I DON'T KNOW, BUT I CAN FEEL EVERY SYLLABLE. 423 00:24:50,033 --> 00:24:52,033 EXCUSE ME! 424 00:24:54,434 --> 00:24:57,701 ( chuckling ) 425 00:24:57,701 --> 00:25:00,734 A FINE BIG LASS. 426 00:25:00,734 --> 00:25:02,934 WHERE? 427 00:25:05,601 --> 00:25:09,467 CHECK THE LOFT AREA CAREFULLY FOR PESTS, RICHARD. 428 00:25:09,467 --> 00:25:11,367 NOT MUCH LIGHT UP HERE. 429 00:25:11,367 --> 00:25:14,767 AND IF YOU SHOULD SEE ANY WOODWORM, 430 00:25:14,767 --> 00:25:18,334 TRY TO SHOO THEM TOWARDS THE END OF THE BUILDING. 431 00:25:18,334 --> 00:25:21,100 HOW DO YOU SHOO WOODWORM? 432 00:25:21,100 --> 00:25:25,234 INTIMIDATE THEM, DEAR, BY BANGING ON THEIR BEAMS. 433 00:25:25,234 --> 00:25:29,000 IT'S VERY DUSTY AND THERE'S NOT A LOT OF ROOM TO MOVE. 434 00:25:29,000 --> 00:25:30,434 REALLY? 435 00:25:30,434 --> 00:25:33,367 I'M A LITTLE RESTRICTED DOWN HERE! 436 00:25:33,367 --> 00:25:36,467 RICHARD, RICHARD, WOULD YOU COME DOWN, DEAR? 437 00:25:36,467 --> 00:25:37,901 - YES-- NOW! 438 00:25:37,901 --> 00:25:40,200 COMING! 439 00:25:41,834 --> 00:25:43,200 RICHARD! 440 00:25:43,200 --> 00:25:45,000 ( speaking gibberish ) 441 00:25:45,000 --> 00:25:47,501 ...AND FANCY SOCKS, TOO. 442 00:25:47,501 --> 00:25:49,334 WHOA! 443 00:25:49,334 --> 00:25:51,734 RICHARD! OOP! RICHARD! 444 00:25:51,734 --> 00:25:53,934 RICHARD! 445 00:25:56,601 --> 00:25:59,033 ( speaking rude gibberish ) 446 00:25:59,033 --> 00:26:02,834 HOW DARE YOU, SIR, TAKE ADVANTAGE OF ME WHEN MY HUSBAND'S INCAPACITATED? 447 00:26:02,834 --> 00:26:06,200 - Man: OH, THE WIFE! 448 00:26:06,200 --> 00:26:09,434 ( speaking angry gibberish ) 449 00:26:09,434 --> 00:26:11,434 ...WELL, I'LL NOT STAND FOR IT. 450 00:26:11,434 --> 00:26:14,400 YOU AND YOUR FANCY WOMAN. THE OLD COW! 451 00:26:15,567 --> 00:26:17,567 Yokel's wife: ...YOUR LAST WARNING! 452 00:26:17,567 --> 00:26:20,868 YOU GO HOME! 453 00:26:20,868 --> 00:26:23,000 ( yelling continues ) 454 00:26:26,901 --> 00:26:29,634 HELP! HELP! 455 00:26:31,234 --> 00:26:36,501 RICHARD! DO STOP MESSING ABOUT UP THERE, AND COME DOWN AT ONCE, DEAR. 456 00:26:36,501 --> 00:26:38,434 I DON'T THINK THERE'S ANY WOODWORM IN THIS BEAM-- 457 00:26:38,434 --> 00:26:40,734 IT FEELS HARD ENOUGH. 458 00:26:40,734 --> 00:26:45,400 NOW LISTEN, I'M GOING TO LOCK MYSELF IN THE CAR. 459 00:26:45,400 --> 00:26:47,501 THE WAY THAT YOKEL IS BEHAVING-- 460 00:26:47,501 --> 00:26:51,400 YOU'D THINK I WAS THE FIRST DELIRIOUS-- DESIRABLE WOMAN HE'S EVER SEEN. 461 00:26:51,400 --> 00:26:53,234 NOW, COME ALONG, DEAR. 462 00:26:53,234 --> 00:26:55,434 ( yells ) HYACINTH! 463 00:26:55,434 --> 00:26:58,467 ( yelling continues ) 464 00:27:10,968 --> 00:27:13,100 ( door slams, yelling stops ) 465 00:27:24,434 --> 00:27:26,534 ( cow bellows, Hyacinth screams ) 466 00:27:37,267 --> 00:27:41,467 RICHARD! HOW LONG ARE YOU GOING TO HAVE TO WALK LIKE THAT? 467 00:27:41,467 --> 00:27:43,801 ( sadly ) PROBABLY FOREVER. 468 00:27:48,968 --> 00:27:51,868 THIS IS NO TIME TO BE NURSING YOUR GRIEVANCES. 469 00:27:51,868 --> 00:27:55,968 IT'S FUNNY YOU SHOULD SAY THAT. OW-OO! 470 00:27:58,033 --> 00:28:00,267 ( all bleating ) 471 00:28:04,834 --> 00:28:06,934 RICHARD! 472 00:28:11,868 --> 00:28:15,334 ( theme music playing ) 0 00:00:0,500 --> 00:00:2,00 www.tvsubtitles.net